The contract will see the 33-year-old remain at Ravenhill until the summer of 2014 an makes him the longest serving member of the squad. Making his senior debut in 2001, Wallace has gone on to play 188 times for Ulster, scoring 439 points.

Photo Credit: Rugger Hugger Ireland

The centre also has 30 Ireland caps and was part of the side that won the Grand Slam in 2009. 

Commenting on his new deal, Wallace said: “I am delighted to have agreed a new deal and I look forward to recovering from injury and playing next season.

“This Ulster squad is the strongest that I have been involved in and I have no doubt that we will be competing for silverware next year. I want to be a part of that and to hopefully to become the first player to make 200 appearances for the Province.”

In addition to Wallace, the club has also said back-row forward Mike McComish has signed a two-year contract extension. He will remain at the club until the summer of 2015.

While former Ulster players James McKinney and David McIlwaine have agreed one-year contracts to return to the Province from next season.

Former Ireland U20 fly-half, McKinney, has spent this season playing for Rotherham Titans in the English Championship. McIlwaine, who is also 23, can play at full-back or on the wing and has spent this season at Bristol having played at Doncaster Knights the year before.

Commenting on the contracts, Ulster Rugby’s Director of Rugby, David Humphreys, said: “Paddy Wallace has unrivalled experience and knowledge of the game. It was important for us to keep him, not just for his playing ability, but also for the significant role that he fulfills in mentoring the young players that we have coming through.

“Mike has shown a remarkable level of consistency this season and James and David will come back to us having benefitted considerably from their time in England.

“It is now more important than ever to have a strong panel of players to be able to compete in both the league and Europe. These four players will add considerably to our strength in depth for next season.”

Photo Credit: Rugger Hugger Ireland

The visitors have previously qualified for four tournament finals, claiming the title in 2006 and 2008. This will be the team’s 10th Heineken Cup semi-final appearance.

Clermont, on the other hand, have never qualified for the tournament final before, with this being only their second time to reach the final four stage. However, they are currently the only team through to the semi-finals to have won all seven of their tournament contests.

The highly-anticipated clash kicks off at 5pm (GMT).

ASM Clermont Auvergne Team -

15 – 9: Lee Byrne, Sitiveni Sivivatu, Regan King, Wesley Fofana, Napolioni Nalaga, Brock James, Morgan Parra

1 – 8: Thomas Domingo, Benjamin Kayser, Davit Zirakashvili, Jamie Cudmore, Nathan Hines, Julien Bonnaire, Julien Bardy, Damien Chouly

Replacements (16 – 23): Ti’i Paulo, Vincent Debaty, Clèment Ric, Julien Pierre, Alexandre Lapandry, Ludovic Radoslavjevic, Noa Nakaitaci, Jean-Marcel Buttin

Munster Team -

15 – 9: Felix Jones, Keith Earls, Casey Laulala, James Downey, Simon Zebo, Ronan O’Gara, Conor Murray

1 – 8: Dave Kilcoyne, Mike Sherry, BJ Botha, Donnacha Ryan, Paul O’Connell, Peter O’Mahony, Tommy O’Donnell, James Coughlan

Replacements (16 – 23): Damien Varley, Wian du Preez, John Ryan, Billy Holland, Paddy Butler, Cathal Sheridan, Ian Keatley, Denis Hurley

Photo Credit: Rugger Hugger Ireland

Leinster Team –

15 – 9: Rob Kearney, Fergus McFadden, Brian O’Driscoll, Ian Madigan, Isa Nacewa, Johnny Sexton, Isaac Boss

1 – 8: Cian Healy, Richardt Strauss, Mike Ross, Leo Cullen, Devin Toner, Kevin McLaughlin, Shane Jennings, Jamie Heaslip

Replacements (16 – 23): Sean Cronin, Jack McGrath, Jamie Hagan, Quinn Roux, Rhys Ruddock, John Cooney, Andrew Goodman, Andrew Conway

Biarritz Team -

15 – 9: Marcelo Bosch, Taku Ngwenya, Benoît Baby, Damien Traille, Aled Brew, Jean-Pascal Barraque, Dimitri Yachvili

1 – 8: Thomas Synaeghel, Arnaud Heguy, Ben Broster, Erik Lund, Pelu Taele, Thibault Dubarry, Raphael Lakafia, Imanol Harinordoquy

Replacements (16 – 23): Benoit August, Eugène Van Staden, Francisco Gomez Kodela, Mathias Marie, Wenceslas Lauret, Yann Lesgourgues, Seremaïa Burotu, Teddy Thomas

Kick-off: Saturday 27 April, 2.30pm (GMT)

Photo Credit: Rugger Hugger Ireland

The game at Stadio Monigo, which was a rearranged fixture from last month, saw the home side take an early lead after just three minutes. Connacht infringed at the ruck and Alberto di Bernado made no mistake with the penalty.

The visitors then took control of the game after fifteen minutes when a line-out saw Fetu’u Vainikolo race down the field, leaving Treviso trailing behind. Dan Parks added the extras for a 3-7 lead.

Connacht had the chance to widen the points gap before the interval, but Parks was unsuccessful with his first two of three penalty attempts.

Half-time score: Treviso 3 Connacht 10

The home side came out fighting from the whistle with Di Bernardo adding his second penalty on 43 minutes. Five minutes later and Treviso claimed their first try of the night after Parks’ clearance kick was charged down. Scrumhalf Edoardo Gori claimed the score, with Di Bernardo adding the conversion to sneak back into the lead, 13 – 10.

On the 51 minute mark, Parks levelled the scores with another penalty.

A series of infringements from both teams saw Di Bernardo and Parks continue to exchange penalties while both teams emptied their benches. It was only in the final ten minutes, that the tempo of the game changed.

With Benetton Treviso edging ever closer to the opposition’s try line, Connacht was placed under intense pressure, and – in what some viewed as a controversial decision – referee Neil Paterson awarded the hosts a penalty try. Di Bernardo once again kicked perfectly to give his team a seven-point lead.

However, it was the hosts who had the final say of the night when late replacement O’Donohue crashed over the line in the dying seconds to claim a try. Parks added the extras to level the scores.

Full-time score: Treviso 23 Connacht 23

Photo Credit: image.net

I think it’s safe to say that the hugely successful Avengers Assemble ($1.5 Billion Dollars worldwide) was going to be a tough act for Marvel to follow.

It is perhaps a wise choice then that they decided to go back to the character who started it all back in 2008 to kick-off their “Phase 2”.

Having taken a leaf out of the “J.J. Abrams book of secret-keeping”, there was very little known about the plot of Iron Man’s latest adventure other than it would involve his arch-nemesis The Mandarin and would follow Warren Ellis’ Extremis arc from the comics.

With Jon Favreau dropping out as director (he called the shots on the first two), Hollywood’s favourite action movie scriptwriter Shane Black stepped in to fill the void, at the behest of his Kiss Kiss Bang Bang star Robert Downey Jr.

It was Black who gave Downey Jr. his first proper post-rehab gig back in 2005 when he cast him in the lead for his debut directorial effort, so it only feels right that Downey Jr. owes him one by recommending him for IM3.

At first it seemed like a risky choice given his only directing gig was much smaller in scope but Marvel have never really been ones for going with the obvious option.

Black brings his particular brand of humour to the proceedings making this Stark’s funniest outing yet and, given that he wrote all four Lethal Weapon films, introduces a buddy-cop feeling to Stark and Rhodes’ relationship.

Without giving too much away, the story centres around a threat to America by a terrorist known as The Mandarin (Ben Kingsley), who has so far been responsible for almost a dozen attacks on American soil.

While Stark finds himself suffering from PTSD after his trip through the wormhole in Avengers Assemble, fellow scientist Aldrich Killian (Guy Pearce) has his eyes set on Pepper Potts (Gwyneth Paltrow) while hiding a secret that could be a bigger threat to Tony’s life than The Mandarin.

Thankfully Tony has put his time suffering from anxiety attacks to good use, building a fantastic array of new suits including his latest, which attaches itself to him piece by piece just by him willing it to.

This is a neat ploy that more than likely was Black’s idea as it gives us Tony as Iron Man but not always in the suit, thus reminding us that Iron Man is still just a man.

Photo Credit: image.net

Another plus for the film is that it’s not weighed down by the weight of the other Avengers. Sure, there are a few references here and there but they are mostly off the cuff rather than in your face like they were in IM2.

After the fantastic battle of New York in Avengers Assemble, one might have wondered how the action would improve in Phase 2. Thankfully, rather than trying to go bigger, Black plays to Iron Man’s strengths and puts him in situations where he doesn’t require help from his superhero friends.

The attack on Tony’s home which has featured heavily in the trailers is a standout, while a mid air rescue feels like such a refreshing idea that you wonder why it hasn’t been used before.

By the time the final showdown arrives, you get the impression that we are going to see a re-tread of IM2’s finale but thankfully Shane Black is much smarter than that, keeping Tony out of the suit and utilising his other armours to great effect.

The performances are top notch all round. Jon Favreau gets plenty of laughs as the returning Happy Hogan while Guy Pearce is finally given a meatier role to sink his teeth into after his non-performance in Prometheus. James Badge Dale and William Sadler also impress in smaller roles and Robert Downey Jr. IS Tony Stark.

Yet it will be Ben Kingsley’s performance as The Mandarin that everyone will be talking about as he almost steals the show from under everyone’s noses. To say anymore would be to ruin the fun but it is a performance that rightfully earned a standing ovation after his final day of shooting.

There are a few gripes to be had as it is by no means perfect. The direction they take one of the main characters is one that will be talked about for a long time to come and while it is a brave and bold decision on the part of the filmmakers, it is a stretch from the comics and fans will probably be disappointed. If you go with it though, you’ll find the rest of the film much more fun than if you don’t.

Strangely, it feels as though to really appreciate it, a second viewing could be mandatory. This reviewer‘s first reaction was of dissatisfaction, but the more I began to understand the choices the filmmakers made and the journey that Tony Stark has taken, it suddenly felt like the natural course for the franchise to go. The only question remains is whether or not Tony Stark will return.

Final Verdict: With the assured hands of Shane Black and the continued swagger of Robert Downey Jr. it’s hard to pin point why anyone was worried that Iron Man couldn’t improve on the stellar team-up that preceded it. Fantastic set pieces and excellent performances all round means that Avengers Assemble wasn’t such a tough act to follow after all.

Star Rating: 4/5

* Review by Stephen Connolly

After Tim Burton’s Alice in Wonderland broke the billion dollar barrier at the world-wide box office, studios began mining fairytales looking for new ways to make money.

Since then, we’ve had two retellings of Snow White, talking wolves in Red Riding Hood, and the very adult Hansel and Gretel: Witch Hunters (which failed to include breadcrumbs of any kind).

While so far all of these films have been disappointing, their success at the box office means the deluge of fairytale adaptations shows no sign of slowing down.

Next up is Bryan Singers retelling of Jack and the Beanstalk. Having already tanked at the U.S. box office with a paltry $27 million opening weekend (on a $200 million budget) you could forgive U.K. critics and audiences to enter a screening with some trepidation.

What’s unfortunate about JTGS, and clear now that I have seen it for myself, is that the marketing of the film seems to be the issue as to why it has performed so poorly. Because Jack is actually rather good.

From the trailers, it appeared like JTGS was aimed squarely at children. Massive giants, a familiar fairy tale, 3D; it seemed like a recipe for success. But the film is rated 12A due to some moments that smaller children may find unsettling, as well as an unusually high and ruthless body count.

The 12A rating (PG-13 in the U.S.) would suggest it is unsuitable for smaller children, thus leaving out its target audience. It is a shame, as there is a charm here that was severely lacking in Snow White and the Huntsman and Alice in Wonderland.

The main source of this charm is the cast. Nicholas Hoult is beginning to look every bit the leading man, worlds away from Tony in Skins. Ewan McGregor has a ball as the kings head soldier, while relative newcomer Eleanor Tomlinson adds some zest to what is essentially a “damsel in distress” role.

There’s not much to tell about the story as most audiences already know it. There is a slight twist which, if you have seen the trailers you can probably guess already. Even if you haven’t, the script doesn’t exactly try to make it a surprise.

What is unusual about JTGS is the willingness to kill off more of the cast than you would expect, some without warning and most rather gruesomely. This might be an ensemble of great British actors but director Bryan Singer has no qualms about removing them from the adventure at barely a moment’s notice, leaving the focus firmly on Jack.

There are a few instances where the script makes some bad decisions – given the time sensitive nature of the adventure once Jack rescues the princess, stopping to make an unmarked grave or for a quick kiss doesn’t seem like the wisest of things to do. But these are liberties that Singer has taken that most audiences wouldn’t pick up on.

The special effects concerning the giants are better than you would hope for given there are so many of them, while the beanstalk itself really stands out in 3D. Unfortunately it’s about the only thing worth watching it in 3D for, as once again audiences have been duped with 3D post-conversion, rather than shooting in proper 3D.

Thankfully it doesn’t take away from what is a rollicking good time and, after the gloomy fairy tale retreads of Red Riding Hood and Hansel and Gretel, Jack the Giant Slayer comes along and makes fairy tales fun again.

Final Verdict: Some poor 3D and a script that at times has delusions of grandeur, doesn’t detract from what is a rip-roaring adventure that both adults and children should enjoy. Don’t let the trailers put you off as this is fun for all the family.

Star Rating: 3/5

* Review by Stephen Connolly

Photo Credit: PicSelect

The Croods is the type of film you would expect from a company struggling to catch up with runaway animation experts Pixar.

Despite previous hits with Shrek and How to Train a Dragon, Dreamworks has always struggled in the shadow of those who gave us Toy Story, Up, Monsters Inc. and Finding Nemo.

Where Pixar excels is in touching stories with plenty of heart that resonates with both adults and children alike, something generally lacking at Dreamworks.

The same can be said about The Croods. The story is as basic as it gets and the characters fail to draw you in like Woody and Nemo do.

A family of Neanderthals find themselves requiring a new home after their cave is destroyed while the young, adventurous daughter (Emma Stone) clashes with the overbearing, overprotective father (Nicolas Cage).

That’s all the storyline that kids need but there is little for the adults – there’s not an in-joke or innuendo in sight.

But the target audience will no doubt love it. After the first 15 minutes of seeing nothing but rocks, the film enters a world of colour that is eye-popping in 3D and will no doubt have children in awe.

But there is definitely a spark missing somewhere, something that the extremely talented voice cast (Ryan Reynolds, Clark Duke, Catherine Keever) can’t seem to muster. Back to the drawing board.

Final Verdict: With Pixar churning out a sequel to Monsters Inc. later this year, its title as the top animation studio is, based on this evidence, not under threat. Good 3D can’t save what is an otherwise dull story. Some hilarious, furry creatures though.

Star Rating: 2/5

* Review by Stephen Connolly

Cloud Atlas is like Marmite, you’ll either love it, or you’ll hate it. Destined to be the topic of film classes and pub talks for years to come, it is a film of epic ideas and interesting theories.

Can the actions of one person in the past really affect the thoughts of those in the future? It is a fascinating, albeit far-out, story and much like Wachowski’s previous sci-fi effort The Matrix, it excels with this fascination.

However, much like that films unworthy sequels, it soon becomes clear that this story is beyond the directors’ grasp and once they begin to flesh out these stories, they soon lose their mysterious appeal.

The non-linear narrative structure keeps it interesting as, individually, each story offers very little in terms of excitement or spectacle.

It is only when each story sheds light on another through a link from the past; whether it is the piece of music which echoes through each, known as the Cloud Atlas sextet, or the main cast playing different characters in each time period, that the film really opens up the themes and ideas that it spends more time hinting at than actually exploring.

At almost three hours long, Cloud Atlas is bum-numbingly draining on the mind and body. Some of the stories will hold your attention while others will slowly lose it and by the end credits you’ll find yourself struggling to remember any moments that truly stood out. For a film with such epic ideas it misses out on being truly…epic.

Cloud Atlas does get some things right. The cast is perfectly assembled and with each actor playing several different roles, they each jump in with all the enthusiasm you would expect for something so grandiose. Where else would you get to see Tom Hanks playing a gangster, a doctor and a futuristic hero all in one film?

Other standouts include Jim Broadbent (in one of the more light-hearted stories he is simply irresistible), Ben Wishaw and Jim Sturgess, while Halle Berry is perfectly cast in her main story as a 70’s set reporter.

But the great cast can’t make up for what Cloud Atlas lacks. Despite a kinetic, visual energy reminiscent of the aforementioned Matrix Trilogy, Cloud Atlas lacks the heart and soul to make it truly awe-inspiring, something it strives so hard for and yet never even comes close.

Final Verdict: Cloud Atlas is an extremely fascinating attempt at an original cinematic experience which, while succeeding as a film to make us think, is unfortunately flawed in its execution. It is overly long and drawn out and whilst feeling fresh, at times it feels like it has its head in the clouds.

Star Rating: 2/5

* Review by Stephen Connolly

Photo Credit: Rugger Hugger Ireland

Ulster will play Saracens at Twickenham in the match after the English Premiership side won the right to host the game by finishing above Ulster in the Heineken Cup Pool standings. However, despite it being an away fixture, Ulster Rugby hopes that many of its fans will make the trip to the game and help bring a bit of Ravenhill to West London.

As part of the campaign launch, Ulster Rugby released a video featuring famous Ulster supporters including Sky News Presenter Eamonn Holmes, Darts players Phil ‘The Power’ Taylor and Raymond Van Barneveld, four-time European Tour winner, Michael Hoey, 1948 Grand Slam winner, Jack Kyle, Northern Ireland and West Brom footballer, Chris Brunt and double-Olympic bronze medal winner, Paddy Barnes, who all encouraged fans to #maketwickenhamhome.

The video also featured several members of the Ulster squad, discussing how much they value the club’s support both at Ravenhill and at away games.

The video was released at 9pm last night and has already been viewed more than 10,000 times.

The video can be viewed here.

Tickets for the Heineken Cup quarter-final went on general sale last week and within the first hour, more than 1,000 had been sold.

For tickets and for further information, click here.

Photo Credit: Market Place Theatre, Armagh

This Spring, Maiden Voyage, will premiere a trio of original dance commissions ‘Manifesto’ – an exciting new triple bill of contemporary dance where physicality, power and passion abound.

This trio of work comes from both National and International choreographers, Luke Murphy (New York & Ireland), Dylan Quinn (Northern Ireland) and Filip Van Huffel (Belgium).

Dylan Quinn’s new piece of involves men and women grappling with society’s expectations; Filip Van Huffel’s ‘Picture in a Frame’ offers fast-paced dynamic precision, while Luke Murphy sets an intriguing contemporary reimagining of the ballet ‘Les Noces’ in a high school reunion.

‘Manifesto’ will be staged at The Market Place Theatre in Armagh on Wednesday 13th February at 8pm.

Tickets are priced £9 and £7 (concession), and can be booked by contacting the Box Office on 028 3752 1821, or online at www.marketplacearmagh.com

Don’t forget you can also keep up to date with the Market Place Theatre on Facebook and Twitter.

Photo Credit: Rugger Hugger Ireland

From articles and coverage in magazines (Elle, Glamour, Look) to television (Xpose and Styling The Nation), Liberty Blue’s unique and popular take on fashion has also found the team featuring in Belfast Fashion Week and Faux Fashion catwalk to name but a few.

With this award-winning background in vintage inspired fashion, it’s no surprise to discover why Liberty Blue truly is Belfast’s little gem.

Before I even stepped inside the boutique, I spent a few minutes admiring the window display and secretly wondering how many of the items I would be purchasing before I left!

Photo Credit: Rugger Hugger Ireland

Once inside, Liberty Blue is a treasure trove of vintage goods, and the layout is cleverly designed so you can see everything on display, before you decide where you should begin browsing closer.

From cute skirts, and floaty blouses, to dresses – both casual and fancy. My personal favourite was a red dress which could have been straight out of the 1950s. Audrey Hepburn-styled and inspired, it was gorgeous. The dresses are priced from £20, moving towards the £50 to £70 mark for the exclusive lines, while there is also a large selection of cardigans, jumpers and coats too.

There is a display table in the middle of the store full of accessories, including jewellery, handmade brooches, purses and handbags. Adjacent to the table is a gorgeous, weathered-looking suitcase which is bursting at the seams with vintage belts – these are currently a bargain at £4 each or 3 for £10.

Photo Credit: Rugger Hugger Ireland

Towards the back of the store there’s a sale rail housing some great bargains, so make sure you call in and take a look – because once they’re gone, they’re gone!

Moving along to the front of Liberty Blue and you’ll find the jewellery display. The first thing to catch my eye was the large array of necklaces, arranged across a number of cute vintage holders.

Some of the long gold chains have lockets, others have flowers but each piece is unique and the perfect accessory to glam up any outfit. They are also moderately priced, so would make great presents for a friend or family member. Aside from the necklaces, there’s more handmade brooches, rings and earrings as well as a few limited Swarovski items on offer. These are definitely worth a closer look when you’re in store.

Photo Credit: Rugger Hugger Ireland

You are spoilt for choice, and there really is something for everyone to buy. However, if you still can’t decide what to purchase, don’t worry; the boutique has gift vouchers available to purchase.

The staff in Liberty Blue also deserve a special mention; they are really friendly and more than willing to help with any questions you have. Their warm welcome when I entered the store made me feel at ease as I admired and browsed through the items.

Tucked away in one of Belfast’s little streets, Liberty Blue could easily be missed. So, next time time you’re in the city, make sure to call in pay them a visit. Aside from supporting a unique and local business, you are guaranteed to be purchasing a one-of-a-kind item – something that will definitely set you apart from the crowd. Trust us, you’ll not regret it!

Make sure you follow Liberty Blue on Facebook and Twitter for the latest updates and special offers too.

Photo Credit: Rugger Hugger Ireland

Photo Credit: Rugger Hugger Ireland

Photo Credit: Rugger Hugger Ireland

Photo Credit: Rugger Hugger Ireland

Photo Credit: Rugger Hugger Ireland

Photo Credit: Rugger Hugger Ireland

Photo Credit: Rugger Hugger Ireland

Alongside Coughlan, Ireland coach Declan Kidney has named a further seven uncapped players for the clash.

Ulster duo Paddy Jackson and Paul Marshall form the half back partnership and will be joined in the backline by local favourites Robbie Henshaw and David McSharry.

In the front row, Mike Sherry will be joined alongside Dave Kilcoyne and Michael Bent, while Lewis Stevenson and Devin Toner line out in the second row. Kevin McLaughlin and Tommy O’Donnell complete the back row with Coughlan in the number eight shirt.

Tickets for the game are still available from Ticketmaster.ie. They are also available from the Connacht Branch office until 4pm on Friday, and then from 4pm at the Ticket Booth at the Main Stand gate of the Sportsground Stadium.

Tickets start at €20 for adults and €5 for children.

O2 Ireland Wolfhounds v England Saxons @ The Sportsground, Galway.

Friday 25th Jan – 7.35pm kick-off:

15 – 9: Robbie Henshaw, Andrew Trimble, Darren Cave, Dave McSharry, Luke Fitzgerald, Paddy Jackson, Paul Marshall

1 – 8: David Kilcoyne, Mike Sherry, Michael Bent, Lewis Stevenson, Devin Toner, Kevin McLaughlin, Tommy O’Donnell, James Coughlin (C)

Replacements (16 – 23): Damien Varley, Tom Court, Declan Fitzpatrick, Iain Henderson, Rhys Ruddock, Isaac Boss, Ian Madigan, Ian Keatley

Steven Spielberg’s long-awaited biopic of Lincoln has been gestating in Hollywood for the best part of a decade (and God knows how much longer in the back of Spielberg’s mind).

In fact, it has been so long that the man Spielberg originally wanted for the lead role, Liam Neeson, eventually deemed himself too old to play the part.

Photo Credit: Picselect.

Spielberg then tried for Daniel Day-Lewis to fill the stovepipe hat only to be turned down on three occasions because he wasn’t fond of Spielberg’s script.

However, his desire for Day-Lewis to take on the role grew so much that Spielberg went back to the drawing board, tweaking his script and confining it to a shorter period in Lincoln’s life; a month long segment which follows Lincoln’s attempts to acquire the votes needed to pass the 13th Amendment and abolish slavery in the United States of America.

With Day-Lewis finally committed to the project, Spielberg went about surrounding him with some of the finest talent to ever grace cinema screens.

For anyone expecting to see epic battles between the North and South you will be sorely disappointed. Despite a glimpse of the horrors of the Civil War, any battles in Lincoln are fought verbally.

It might sound dull; an almost 3 hour long film with no action and lots (and I mean lots) of talking, but the heated debates in the House of Representatives, or around Lincoln’s war room table between him and his own cabinet, are almost as exciting to watch as any fight.

That is if you can understand some of the more old fashioned and politically correct words the characters use. If you have ever struggled to get through an episode of The West Wing, you might find yourself in trouble here.

But fear not. While it can be hard to follow for those unacquainted with American politics, it still proves easy to understand just what Lincoln was striving for.

And if you find it complicated to grasp some of the more obtuse language, just sit back and marvel at the charismatic and absorbing performance of Daniel Day-Lewis, in what could be his career-defining role and should surely nab him an Oscar next month.

The supporting cast are on equal par with Day-Lewis, most of them seemingly upping their game in his presence. From David Strathairn’s defiant Secretary of State to Mrs. Lincoln herself, Sally Field, each actor has revelled in what they know is a fantastic script and have brought the performances to match it.

The film is almost stolen from them all by Tommy Lee Jones as Thaddeus Stevens, relishing the chance to give many of his co-stars a firm tongue-lashing throughout the film in a role seemingly tailor-made for the actor. (Only one other actor comes to mind for this role and that is Harrison Ford.)

Ever since Munich (2005), Spielberg has been slowly maturing as a filmmaker and his direction here is assured and yet he does nothing exciting with it, leaving the camera to focus on the wonderful cast that he has assembled and letting them do justice to the script.

Much like the recent Argo, the ending is very well known. But the journey to get there is breathtaking to watch. The road was rough and required many sacrifices but eventually, the outcome was worth waiting for. Much like Lincoln’s journey to the big screen.

Final Verdict: While at times feeling like a rather long history lesson, there is no denying that Spielberg has crafted one of the better biopic’s ever committed to film. A fine cast allows the script room to breath, whilst a dynamic performance from Daniel Day-Lewis should all but assure him his third Oscar win.

Star Rating: 4/5

* Review by Stephen Connolly

Photo Credit: Rugger Hugger Ireland

In one of the most anticipated weekends in the rugby calendar, it will be an all-French clash which gets us underway as ASM Clermont Auvergne welcome Montpellier.

The game will be held at the Stade Marcel Michelin stadium on Saturday 6th April with a 4.40pm kick off.

In Saturday’s second game, Saracens will face last season’s beaten finalists, Ulster. The venue will be announced at a later date.

While Sunday’s fixtures on 7th April will kick off with the meeting of pool stage top seeds, Harlequins, and two-time former Heineken Cup champions Munster battling it out at Twickenham Stoop.

This will be followed by Toulon v Leicester Tigers who will be meeting for the first time. A venue for the game is still to be confirmed.

Out of the final eight clubs, five have European titles to their name in Clermont, Harlequins, Leicester, Munster and Ulster, while Montpellier are making their first appearance in the knock-out stages.

Saturday 6 April, 2013:

ASM Clermont Auvergne v Montpellier @ Stade Marcel Michelin

Kick-off – 4.40pm *

Saracens v Ulster @ Venue TBC

Kick-off – 6.30pm

Sunday 7 April, 2013:

Harlequins v Munster @ Twickenham Stoop

Kick-off – 2pm

Toulon v Leicester Tigers @ Venue TBC

Kick-off – 5.30pm

* All kick-offs are local time

Photo Credit: Rugger Hugger Ireland

Connacht players Robbie Henshaw and David McSharry are two of the possible debutants after having strong seasons for their province.

A further seven players are included in the Wolfhounds squad who are uncapped at full international level, but the group also includes a wealth of experience in the forms of Luke Fitzgerald, Andrew Trimble, Tom Court and Isaac Boss.

Some of the newer faces called up to the Ireland squad – including Iain Henderson, David Kilcoyne and Michael Bent – all have an opportunity to impress this Friday in Galway before the wider training squad prepares for the opening Six Nations match against Wales.

The starting XV and replacements for Fridays’ game against the Saxons will be confirmed on Thursday afternoon.

There are still tickets available for the game and are available from Ticketmaster.ie.

Ticket prices start at €20 for adults, €5 for children under 18 years of age.

Connacht Rugby is also offering their Season Ticket holders a 50% discount on all adult tickets.

O2 Ireland Wolfhounds squad v England Saxons, Friday 25th Jan, KO 7.35pm:

Michael Bent, Isaac Boss, Darren Cave, James Coughlan, Tom Court, Luke Fitzgerald, Declan Fitzpatrick, Iain Henderson, Robbie Henshaw, Paddy Jackson, Ian Keatley, David Kilcoyne, Ian Madigan, Paul Marshall, Kevin McLaughlin, David McSharry, Tommy O’Donnell, Rhys Ruddock, Mike Sherry, Lewis Stevenson, Devin Toner, Andrew Trimble, Damien Varley

Photo Credit: Rugger Hugger Ireland

In the backs, Paul Marshall will start at scrum half, with Springbok Ruan Pienaar moving to outhalf in place of Paddy Jackson, who is on the bench.

Jared Payne misses out on the Round 6 match due to injury, so Ireland winger Craig Gilroy has been named at fullback. Michael Allen has been called up to the left wing as a result and will make his first European start.

Andrew Trimble is named on the other wing, with Paddy Wallace and Darren Cave continuing their midfield partnership.

Up front, Neil McComb will also make his first European start after being named at lock in place of Iain Henderson, who is named among the replacements. McComb is partnered by Lewis Stevenson.

There are no changes to the front row, with Tom Court, Rory Best and John Afoa retaining the 1-3 shirts.

Nick Williams – who is out for eight weeks with a medial ligament knee injury – is replaced by Roger Wilson. Chris Henry will skipper the side and is joined in the back row with Robbie Diack.

Michael Heaney, Chris Cochrane, Rob Herring and Callum Black are named on the bench.

The match on Saturday will decide whether Ulster will play home or away in the quarter finals. The hosts have won three of their last four home games in the Heineken Cup, but lost the reverse fixture at Ravenhill 41-17.

Ulster have never won in 14 previous visits to France in the Heineken Cup; the closest they came was a 35-35 draw against Toulouse in 2000.

Ulster XV v Castres Olympique, Heineken Cup Pool 4, Sat 19th Jan, Stade Pierre-Antoine, (KO 1.35 GMT):

(15-9): Craig Gilroy, Andrew Trimble, Darren Cave, Paddy Wallace, Michael Allen, Ruan Pienaar, Paul Marshall

(1-8): Tom Court, Rory Best, John Afoa, Lewis Stevenson, Neil McComb, Robbie Diack, Chris Henry (C), Roger Wilson

Replacements (16-23): Rob Herring, Callum Black, Declan Fitzpatrick, Iain Henderson, Mike McComish, Michael Heaney, Paddy Jackson, Chris Cochrane

The Down and Out Bluegrass Band perform 'strictly bluegrass' this month in Ards.

The band are a four piece band based in Belfast. They formed in 2011 when members Roy Brown (double bass), Mal Duffin (fiddle), Richard Leeman (guitar) and Howard Walker (banjo), met at various bluegrass sessions across Northern Ireland.

They have since played all over the country and recently featured on BBC2 Northern Ireland programme, Santer.

The Down and Out Bluegrass Band will be performing in Ards on 25th January (8pm) where they will kick off the 2013 series of ‘Friday Night Live’ gigs at Ards Arts Centre and bring their distinctive sound to the stage.

Tickets for the show are £5 and available from Ards Arts Centre, Conway Square.

Photo Credit: Rugger Hugger Ireland

The number eight picked up the injury during Ulster’s Heineken Cup Pool 4 win over Glasgow on Friday night.

Following an assessment this morning, it was confirmed Williams had sustained medial ligament damage to his left knee and is expected to be out for up to eight weeks.

Elsewhere, prop Adam Macklin damaged his knee playing for the Ulster Ravens against Bristol at the weekend. He will be subject to an ongoing conservative management programme and will be reviewed in due course.

Paddy Jackson was assessed on Sunday for an ankle injury, as was winger Craig Gilroy who suffered a bang to the head on during Friday night’s fixture.

Jackson’s ankle is resonding well to physiotherapy treatment while Gilroy is following the necessary return-to-play protocol.

It is hoped both players will be available for selection for this weekend’s Heineken Cup clash against Castres Olympique.

Photo Credit: Rugger Hugger Ireland

Ulster

Nick Williams scored a try to help the hosts take a 10-0 lead at half-time, but Glasgow fought back with two Ducan Weir penalties early in the second half.

Jared Payne and Darren Cave also scored tries for the home side, with scrum half Ruan Pienaar adding the remaining points to secure a 23-6 win.

However, the victory came at a cost for Ulster with a number of injuries being reported. As the final quarter got underway, Nick Williams hobbled off the pitch with what looked to be a knee injury. Paddy Jackson was also replaced in the second half after suffering a knock, as was Craig Gilroy.

Northampton’s 18-12 victory over Castres on Friday night means Ulster top Pool Four and are through to the final eight, although the team will be wanting a decisive victory in their final group game this weekend in a bid to secure a home quarter-final.

Speaking after the game, coach Mark Anscombe said: “There was a job to do [against Glasgow] and we did it.

“We set out as a goal this year to make a Heineken quarter-final. But we’re certainly not resting on it and we’re going to Castres next week with a job to do and a purpose to what we want to get out of that game and reward our fans with a home quarter-final.”

Connacht

Connacht travelled to Harlequins for their Round Five fixture but fell to a heavy 47-8 defeat at the hands of the Premiership leaders.

Tom Williams (2), Ugo Monye, George Lowe, Ben Botica and a penalty try helped the hosts secure the win with Nick Evans adding the remaining points.

Johnny O’Connor crossed for Connacht while Matthew Jarvis slotted a penalty.

Leinster

Three-times Heineken Cup champions, Leinster, kept their hopes of another quarter-final qualification alive by scoring a brace of tries and securing a bonus-point win over the Scarlets at the RDS.

Cian Healy, Shane Jennings, Luke Fitzgerald, Rob Kearney and Ian Madigan scored tries, with Sexton adding three conversions and Madigan adding one after his own try.

For the Scarlets, Liam Williams scored a try and kicked a drop-goal for the visitors, with Aled Thomas kicking two penalties.

The reigning European champions began the game in the knowledge that they must win both their remaining games with a bonus point to retain any realistic hopes of progressing to the last eight this time around, after suffering two defeats by pool leaders Clermont Auvergne.

Munster

Munster squeezed a win against Edinburgh on Sunday afternoon at Murrayfield to keep their Heineken Cup qualifications alive.

The visitors were awarded a second-half penalty try following a collapsed scrum while scrumhalf Conor Murray dived over the line shortly after.

Dougie Fife touched down twice for Edinburgh late in the game to narrow the points gap, but it wasn’t enough as Munster took the spoils with a 17-26 victory.

As the results currently stand, Ulster are the only Irish province to have qualified for this years’ Heineken Cup quarter-finals, with Connacht out of the running and Leinster and Munster now fighting it out for a best-runners up spot.

This time last year I put Gangster Squad at the top of my “Must-See Movies of 2012″ list.

The trailer had blown me away, ending with a scene of three men bursting through a cinema screen, firing off their “Tommy” guns.

Yet after the shocking Aurora cinema shooting in July, Gangster Squad was pushed back, and this entertaining-looking scene was deemed too risky and was removed, to be replaced with a shootout in Chinatown.

After watching the film, it’s hard to tell where this scene would fit in, and how much of the final third of the film was re-wrote and re-shot to accommodate this change. The discussion about whether it should have been removed at all is one for another time.

I had wholly expected the final section to be all over the place as most films that edit scenes after completion usually lose some of its momentum by doing so.

The fact that Gangster Squad actually shifts up a gear in the final third, is testament to the brilliance of director Ruben Fleischer (Zombieland) who confidently handles the film like a seasoned pro.

Based on a (sort of) true story, Gangster Squad chronicles the late 40s and early 50s of mafia-run Los Angeles, where honest cop John O’Mara (Josh Brolin) seems to be the only one not willing to bend to the rules of crime boss Cohen, who owns the city.

After getting the go-ahead by his police chief (a raspy Nick Nolte), O’Mara forms the Gangster Squad with the aim of taking down the mafia one casino/bank/paint store at a time, off the books and without back-up.

Within this squad we have an eclectic mix of seasoned vets (Robert Patrick) and up and comers (Anthony Mackie) who all have their individual talents which become useful throughout the film.

The big draw here, though, is man of the moment Ryan Gosling. He gets many of the best moments, and the best lines, and despite coming off as nothing more than a pretty face to begin with, those Drive-esque violent tendencies start to shine through.

His relationship with Cohen’s girlfriend Grace (Emma Stone) might seem like their Crazy Stupid Love romance in fancy dress, but it adds extra burden to a film where risks and loss don’t weigh heavily.

Sean Penn as Cohen however, almost steals the film from underneath everyone’s noses. Snarling and growling his way through the film, it is clear Penn hasn’t had this much fun in a long time.

The only miscalculation is that Cohen isn’t charming enough to root for in a “we love to hate” way, which is normally how you can define a great screen villain.

So far, so The Untouchables. There’s no denying the similarities between the two films. But the stylistic choices make Gangster Squad stand out that little bit more, almost as if it has been ripped from the pages of a graphic novel.

A night time jailbreak scene is lit up by muzzle flashes, a car chase is blurred by dust clouds and the sets and costumes are perfectly reflective of the era.

The climatic gun battle is deafening and tense but directed with a self-assured confidence that shows us that Fleischer’s last film – 30 Minutes or Less – was an unfortunate blip after his stellar debut with Zombieland.

Yet it seems like few risks were taken, leaving a feeling that the studio has played it safe when they should have taken a gamble. Maybe they should have left that cinema shootout in the film after all.

Final Verdict: Despite some enthralling set pieces and great work from the cast, there is some spark missing that will keep Gangster Squad rising to the heights of The Untouchables. Yet it is still an appealing and entertaining journey from start to finish and was certainly worth waiting a year for.

Star Rating: 4/5

* Review by Stephen Connolly

Photo Credit: Rugger Hugger Ireland

The team will be without centre Luke Marshall and fullback Adam D’Arcy after they both picked up injuries last weekend in the victory over the Scarlets. Marshall will have surgery on a fractured finger and will be sidelined for 4-6 weeks, while D’Arcy fractured his ankle. He will see a specialist later this week when an approximate timeframe for a return to action will be confirmed.

Dan Tuohy, who suffered a recurrence of a calf injury against Scarlets, has been named in the squad and will be monitored throughout the week. Elsewhere, Jared Payne, who missed the game against the Welsh outfit due to a groin strain, is also named in the squad and could play some part on Friday.

Ulster are currently top of Pool 4, three points clear of Castres Olympique, while Northampton are five points adrift of the leaders.

Glasgow have two victories to Ulster’s one in the history of this Heineken Cup fixture after the Irish Province triumphed 19-8 at Scotstoun earlier this season. However, the Scots have just four wins and a draw to their name from 42 away matches in the Heineken Cup. One of those wins came at Ulster (1997) – their only win away in Ireland.

Provisional Ulster squad to face Glasgow, HC Pool 4, Fri 11 Jan @ Ravenhill:

Forwards (16): Callum Black, Tom Court, Declan Fitzpatrick, Adam Macklin, John Afoa, Rob Herring, Rory Best, Lewis Stevenson, Dan Tuohy, Iain Henderson, Neil McComb, Mike McComish, Chris Henry, Robbie Diack, Roger Wilson, Nick Williams

Backs (11): Ruan Pienaar, Paul Marshall, Michael Heaney, Paddy Jackson, Paddy Wallace, Darren Cave, Michael Allen, Craig Gilroy, Andrew Trimble, Chris Cochrane, Jared Payne

Photo Credit: Rugger Hugger Ireland

Ulster are now sitting 11 points clear of the next team (Glasgow) but despite the win at the weekend, the club are facing even more injury woes.

Tuohy limped off the field just before half-time with an apparent recurrence of a calf injury which has kept him out of selection for the last month. Centre Luke Marshall was also replaced at half-time due to a finger injury, while fullback Jared Payne is still battling for fitness ahead of next week’s Heineken Cup fixture with Glasgow.

Leinster were also in action on Friday night as they travelled to Murrayfield to take on Edinburgh and after a slow start, managed to come away with a bonus-point win.

A penalty try was awarded to the visitors just before the interval with Gordon D’Arcy, Jonathan Sexton and Ian Madigan all claiming a try.

Galway-based Connacht ended their run of four straight Pro12 defeats as they ran in a 30-11 victory over Welsh side Dragons.

Lastly, Musgrave Park was the venue as Munster welcomed Cardiff Blues on Saturday evening where the visitors took the spoils over a disappointing Irish side. The Blues ran in 17-6 victory to record their first win on Munster soil since October 2007.

The defeat means Munster have fallen to sixth in the Pro12 standings, while Cardiff move up to seventh.

Craig Gilroy and Luke Marshall in the backs, plus Neil McComb and Robbie Diack in the forwards are the only four players retained from the team which beat Leinster 27-19 last Friday night.

Photo Credit: Rugger Hugger Ireland

Despite resting a number of players and having a large contingent involved in an Ireland training camp in Dublin this weekend, Ulster are able to field an all Irish-qualified match day squad.

Adam D’Arcy will make his first start of the season at fullback and is joined in the back three by Gilroy and Chris Cochrane. Michael Allen will partner Luke Marshall in the midfield, with Paul Marshall and Niall O’Connor forming a new half back combination.

Up front, Callum Black, Rob Herring and Adam Macklin make up the new front row, while Lewis Stevenson makes his return following an eight week injury lay off to partner McComb. Roger Wilson, who is also captain for the match, is named at number 8 and will be joined in the back row with Diack and Mike McComish.

Among the replacements, Academy players Ali Birch, Stuart Olding, Ricky Andrew and Alan O’Connor are all named alongside Niall Annett, Ricky Lutton, Michael Heaney and Tom Court.

Ulster Team to face Munster, RaboDirect PRO12, Thomond Park, Sat 29th December, 5.30pm KO:

(15-9): Adam D’Arcy, Chris Cochrane, Michael Allen, Luke Marshall, Craig Gilroy, Niall O’Connor, Paul Marshall

(1-8): Callum Black, Rob Herring, Adam Macklin, Lewis Stevenson, Neil McComb, Robbie Diack, Mike McComish, Roger Wilson (C)

Replacements (16-23): Niall Annett, Ricky Lutton, Tom Court, Alan O’Connor, Ali Birch, Michael Heaney, Stuart Olding, Ricky Andrew

We have one official Belfast Giants t-shirt to give away as we get ready to say goodbye to 2012 and hello to 2013.

Photo Credit: Rugger Hugger Ireland

The t-shirt is a red Small (38” chest) and brand new – perfect for any Giants fan!

And it just keeps getting better as it couldn’t be easier to get your hands on it.

Simply send an email to info@ruggerhuggerireland.co.uk with your name and a contact number or email, and you’ll be put into the draw.

Competition closes on Friday 4 January 2013.

Also, don’t forget you can follow us on Facebook and Twitter.

Good luck!

Photo Credit: Picselect

Published in 2001, Yann Martel’s Booker-Prize winning novel Life of Pi was immediately deemed un-filmable.

A decade later, after three top directors have come and gone (M. Night Shyamalan, Alfonso Cuaron and Jean-Pierre Jeunet), visionary director Ang Lee finally cracked the secret to filming the un-filmable – an unknown lead and 3D. Make no mistake, Life of Pi could not have been made before now.

For while the novel throws up all kinds of obstacles for turning words to images – a massive shipwreck involving dozens of zoo animals, a boy trapped on a boat with a Bengal Tiger, and the fact that most of it takes place at sea – it actually turns out to be perfectly suited to Lee’s artistic style of shooting.

They say you should never work with kids, or first time actors, or animals, or on water. Yet here, Lee works with all four and it is to his testament as a director that he not only succeeds in making a worthy adaptation of the novel, but a beautifully realised one as well.

Life of Pi tells the story of a young boy called Piscine (amusing anecdote behind his name which I won’t spoil here) who moves from India to Canada with his family when they cannot afford to run their zoo any longer.

While onboard the freighter taking them to Canada, the ship sinks in a storm throwing Pi and several of the animals from his zoo into the ocean.

Scrambling aboard a life raft, Pi finds himself in the not ideal company of several animals, including a Bengal tiger named Richard Parker.

Much in the way that Gollum was the stand out C.G.I. character of the last decade, Richard Parker is so fully realised that it is hard to tell where the real tiger (4 of them were used in production) ends and the digital one begins.

Not to be overlooked however, is the debut performance of Suraj Sharma who plays Pi. After beating over 200 Indian boys for the part, he doesn’t disappoint in his first starring role.

Raised as a Hindu, the younger Pi becomes infatuated with all forms of religion and follows Christianity and Islam as well as Hindu.

It’s no secret that Life of Pi is about God, and whether or not we think he exists doesn’t detract from following Pi’s heart-wrenching journey as he firstly puts all his faith in God for allowing him to live before slowly beginning to doubt his faith.

Being up against a hungry tiger and the dangers of the sea, Sharma steals the show with his powerful performance which is sure to see him propelled into the limelight further than he thought possible.

It is with great credit to him that despite the wonderful effects and some fabulous set pieces (an island full of meerkats, a whale full of glowing jellyfish) we never lose sight of Pi’s soul-searching journey to save not only himself, but his shipmate.

Final Verdict: Lee deserves plenty of kudos not only for filming the supposedly un-filmable, but for creating a wonderful adventure story filled with glorious special effects which, along with the subtle, vibrant use of 3D, breathes life into a tale the whole family can enjoy.

Star Rating: 4/5

* Review by Stephen Connolly

Photo Credit: Rugger Hugger Ireland

After picking up a knee injury last weekend against the Saints, Tommy Bowe has been ruled out of the fixture with Andrew Trimble switching to the right wing.

Fellow Ireland international, Craig Gilroy, has been named on the left wing while Luke Marshall will start at inside centre alongside Darren Cave, with Paddy Wallace on the bench.

Paddy Jackson and Ruan Pienaar will continue their half-back partnership while Jared Payne retains the number 15 shirt.

In an unchanged front row, Tom Court, Rory Best and John Afoa all start and Neil McComb, who replaces the injured Dan Tuohy, will join Iain Henderson in the second row.

In the other changes to the pack, Nick Williams moves from blindside flanker to Number 8 with Roger Wilson dropping to the bench. Robbie Diack starts at 6 with captain Chris Henry continuing at openside.

Elsewhere, Rob Herring, Adam Macklin, Alan O’Connor and Adam D’Arcy have been called up to the bench.

If O’Connor comes on, the game will be his first appearance for Ulster. The 20 year old Dubliner joined the Ulster Academy in the summer.

Speaking ahead of Friday’s game, O’Connor said: “I have come up here to play rugby and hopefully I will get a chance tomorrow night. It wouldn’t phase me to line out against my home Province, I just want to perform at senior level – and playing against the European Champions is just about as competitive as it gets.

“My dad has tickets for the game and will be making the trip up from Dublin for the match. He is a proud Leinsterman, but I am not sure who he will be cheering for tomorrow night!”

Ulster team v Leinster, Friday 21 Dec 2012, 7.05pm KO:

15 – 9: Jared Payne, Andrew Trimble, Darren Cave, Luke Marshall, Craig Gilroy, Paddy Jackson, Ruan Pienaar

1 – 8: Tom Court, Rory Best, John Afoa, Iain Henderson, Neil McComb, Robbie Diack, Chris Henry (C), Nick Williams

Replacements (16-23): Rob Herring, Callum Black, Adam Macklin, Alan O’Connor, Roger Wilson, Paul Marshall, Paddy Wallace, Adam D’Arcy

At the beginning of The Lord of the Rings, we see an elderly Bilbo (Ian Holm) finishing up his book, “There and Back Again: A Hobbit’s Tale”.

Now, over a decade after The Fellowship of the Rings hit cinemas, Peter Jackson brings us back to Middle Earth to witness the events Bilbo was writing about.

Much has been made in pre-release hype about two things: Jackson’s decision to extend what was meant to be two films into three, and the bold, stylistic choice to shoot the film in 48 frames per second, twice the speed of normal film.

I’ll address the latter first because if you choose to see it in 3D & 48fps (which I believe you should) then you’ll notice the difference within moments of Bilbo inking his pen.

48fps has (at first) the horrible effect that everything is moving too fast, and it looks like a documentary or the first time you seen something on a high definition television that wasn’t shot in HD.

However, after listening to Peter Jackson’s reasons for choosing to shoot at this faster rate (that you will be more drawn in to the film, that it feels like you are looking out a window and not at a screen) I found that it suited the film and I did eventually feel like I was IN the film, not just watching it.

48fps won’t be for everyone. There is still a jarring, sped-up effect when the action picks up and some may find that it is too realistic and diminishes the spectacle of cinema.

There is one thing that can’t be denied though, and that is the crispness and clarity of what you are watching, which is beyond anything any HD television can provide. At times it can be overwhelming, trying to take in every detail, so much so that a second viewing might be in order to fully appreciate it.

Whether you see it in 3D, 2D or at the higher frame rate, there is no denying that The Hobbit fully belongs in The Lord of the Rings canon. Despite being The Phantom Menace of the series, it doesn’t have the same faults as the Star Wars prequel did.

Jackson knows this world inside and out and all of the fears one might have going in that it won’t stand up to the original trilogy, or that the decision to extend it to three films might causing pacing issues, are easily allayed by the awe and wonder of being back in Middle Earth.

Anyone who is a fan of The Lord of the Rings will find themselves grinning like a kid in a candy store the first time you see The Shire, or Rivendell, or when familiar faces like Gandalf or Elrond grace the screen again.

Sometimes it can be a curse to film a prequel ten years after the original, but Jackson has regrouped every cast member he needed and none of them look like they have been away. Despite spending most of the original trilogy in white, Ian McKellen looks to be having twice as much fun now as he did a decade ago.

As Jackson’s one and only choice for Bilbo, Martin Freeman has a lot of weight on his shoulders, carrying this trilogy in the same way Elijah Wood carried The Lord of the Rings.

However, the difference here is that for most of The Hobbit, the tone is lighter and the threat is for now, distant. This allows Freeman and the merry band of dwarves to enjoy themselves for the most part.

Jackson has smartly weaved in the threat of Sauron that we all know is coming 60 years down the line, and has fleshed the book out to include elements of The Lord of the Rings to help tie the two trilogies together. Hopefully by the time the final film is released we will have a complete series of films which bridge together successfully.

If there is one problem with which The Hobbit regretfully suffers, it is that the dwarves don’t get an equal chance to impress or distinguish themselves from each other.

Other than Thorin (Richard Armitage), Bofur (James Nesbitt) and Kili (Aidan Turner) and Fili (Dean O’Gorman), the dwarves struggle to escape the fact that most of them look similar, despite the best intentions of the director. However, with two films still to go, it’s safe to bet that each dwarf will get their chance to shine.

Peter Jackson hasn’t forgotten how to handle a set piece either with some thrilling action scenes spread throughout the film, the chase through the goblin city interspersed with Bilbo’s game of riddles with Gollum being a standout.

Yes, that’s right, Gollum also returns. Looking ten times more life-like than he did in The Lord of the Rings and played with relish and vigour by Andy Serkis, Gollum once again plays a pivotal role in the life of a hobbit, with Bilbo coming away with more than he bargained for.

Thankfully, Jackson doesn’t concentrate too much on what Bilbo comes away with as anyone who has seen the original trilogy knows that part of the story and shouldn’t need reminded. And for anyone who does need reminded, you have a whole year before going back to Middle Earth to jog your memory.

Final Verdict: I had my doubts about whether The Hobbit could live up to the magic of The Lord of the Rings but suffice to say, Peter Jackson has crafted another wonderful fantasy adventure which, despite quite clearly being part one of a bigger story, will leave you salivating for the next.

We should all thank him for making Christmas at the cinema a time to look forward to once again. We might have been there before, but we will most certainly be back again.

Star Rating: 5/5

* Review by Stephen Connolly

Eight years ago, Ben Affleck’s career was all but over thanks to the critical panning of some (if not all) of his film choices. It wasn’t just the films that were bad, but his acting was too (See Gigli).

But rather than continue down the same route which would have no doubt led to the D.V.D. bargain bin, Affleck took time off to reflect on his career and his future.

His return gave us a stunning portrayal of the first Superman in Hollywoodland which he followed up with Gone Baby Gone, his impressive debut as both writer and director.

Wisely staying behind the camera, Affleck’s focus was where it needed to be in crafting a fine detective drama that was relevant of our time.

Finally, with his mojo back, the Affleck we were promised fifteen years ago when he co-wrote Good Will Hunting, could move on with his career and three years later gave us one of the best heist films to come out of Hollywood in the last decade with The Town.

Returning to the Boston setting he once again wrote the script and directed but chose this time to entrust himself with the main part of Doug MacRay which could have backfired but instead honed his skill as a director even further.

But surely the magic has to run out sooner or later though, right? This is the star of critical duds Pearl Harbour and Armageddon we’re talking about here.

Thankfully, critics haven’t been holding that against him and neither will this one. Affleck is, I’m happy to say, 3 for 3 as writer-director with Argo.

Finally leaving his Boston-set comfort zone, Affleck shines by increasing the scope, flirting between Washington, Hollywood and Tehran, each individual city given its own style.

Washington is all moody greys and mahogany tables as it sticks closely to office interiors, Hollywood has the bright lights one would normally associate with it and Iran looks as if it has been filmed in the period it was set.

After their initial escape, the six employees take a back seat to the rescue effort going on back home. They are happy to sit back and wait for the situation to resolve itself. But the clock is ticking more than they know.

The hostage takers are yet to clue in that they are missing six workers but with the help of the local children and thousands of pieces of shredded paper, they are slowly piecing together photos of all the hostages.

This is where Affleck comes in. He once again casts himself in the lead role although it isn’t as juicy a part as you might expect. Affleck moves through the film quietly, at the forefront of each shot he’s in but never standing out.

He plays Tony Mendez, an exfiltration expert who specialises in getting people out of sticky situations. After sitting through too many bad rescue ideas, he comes up with a plan that feels like something only a movie could concoct.

The fact that this is based on a true story might surprise many, as the operation to rescue these six Americans involves producing a fake film, with a fake production company, fake storyboards and fake actors.

But to everyone else it has to seem real. As Alan Arkin’s Hollywood producer so eloquently puts it, “if I’m gonna make a fake movie, it’s gonna be a fake hit.”

The film itself divides nicely into two parts. The first hour (of a 2 hour film) splits its time between the C.I.A. headquarters and the lot of a Hollywood studio.

At the C.I.A., Affleck is flanked by one part of the truly incredible cast he has put together with TV stalwarts Bryan Cranston (Breaking Bad) and Kyle Chandler (Friday Night Lights) providing both help and obstruction as Affleck tries to get his mission off the ground.

In Hollywood, Arkin and John Goodman provide plenty of laughs as a producer and Oscar-winning make-up artist respectively. It is this section of the film that allows for some light to be made of the situation and to poke some fun both at Hollywood, and at Affleck himself.

At one point, Affleck exclaims “make me a fake director” to which Arkin replys, “no, you’re a producer at best.” Probably what most of us thought when we first heard Affleck was directing in Hollywood.

The second half of the film is wrought with tension and it is here were Affleck shows his prowess for directing tight, suspense-laden thrillers.

You may or may not already know the outcome, but the journey in itself is harrowing. Affleck increases the anxiety with the subtlest of scenes – moving through a crowd of demonstrators, a walk around a bazaar and a passport inspection at the airport.

Even after all that, when you think they might just make it, a bus driver struggling to get into gear can still bring your heart into your throat.

Affleck’s biggest test was whether or not he could infuse each story strand and make it work, whilst finding the balance between high stakes espionage, comedy, drama and real life history.

Not only did he pass the test, but he has crafted a smart, stylish and at times gripping drama that may be a dark horse come next years Oscars.

Final Verdict: It shouldn’t work, and in the hands of a more experienced director, it may well not have. But Affleck still has the courage to go through with some intriguing stylistic choices which make Argo more than the sum of its parts and maintains Affleck’s winning start to his directorial career.

Star Rating: 4/5

* Review by Stephen Connolly

Four uncapped players are included in the squad; Ulster duo Luke Marshall and Iain Henderson, Munster’s David Kilcoyne and Leinster’s Richardt Strauss.

Photo Credit: Rugger Hugger Ireland

Marshall and Henderson were involved in the Ireland training camp in September, while Strauss is now eligible to play for Ireland based on his residency for the past three years.

In addition to the squad, there are also changes to the makeup of the coaching staff as current Munster Assistant Coach Anthony Foley joins the team.

The former international will now lead the defence plans and systems, which in turn will allow Ireland’s Assistant Coach Les Kiss to focus on the attack shape for the team, as well as continuing his work with the backline.

It is understood Foley will remain working with Munster outside of the international period.

In addition to the above, it has also been confirmed that Leinster scrum coach, Greg Feek, will continue to provide his expertise to the Ireland team.

Speaking of Foley’s appointment to the coaching setup, Kidney said: “We have three incredibly competitive games ahead of us in November and while there have been quite a few injuries and niggles in the early part of the season, it has opened up opportunities for other players to step into the squad.

“There are world ranking points on offer, so the underlying challenge for us is to work towards retaining and improving our ranking position ahead of the Rugby World Cup pool draw. While that is the end goal, our focus will be getting our preparations right to match the intensity of international games.

“I’m pleased that Anthony has taken up the offer of working with the squad to assist during this vital period in November. His previous experience of working with the team during the last RBS 6 Nations championship was important, but his own abilities and experience were central to bringing him onboard.”

There are limited tickets left for both the South Africa and Argentina games and are available to purchase from IrishRugby.ie and Ticketmaster.

Irish Rugby Squad (Guinness Series 2012):

Forwards: Rory Best, Tom Court, Stephen Ferris, Cian Healy, Jamie Heaslip, Iain Henderson, Chris Henry, David Kilcoyne, John Muldoon, Mike McCarthy, Kevin McLaughlin, Donncha O’Callaghan, Paul O’Connell, Peter O’Mahony, Mike Ross, Donnacha Ryan, Richardt Strauss, Dan Tuohy

Backs: Tommy Bowe, Darren Cave, Gordon D’Arcy, Keith Earls, Luke Marshall, Conor Murray, Fergus McFadden, Brian O’Driscoll, Ronan O’Gara, Eoin Reddan, Jonathan Sexton, Andrew Trimble, Simon Zebo

The Belfast Operatic Society bring musical hits to the Queen's Hall for the annual Anne Iveston Choral Evening.

The Company has developed a new programme encompassing some of the most popular songs and scores from musicals, including ‘No Business Like Show Business’, ‘Oklahoma’, and ‘You’ll Never Walk Alone’.

The multi-award winning Operatic Company has received a series of accolades from the Association of Irish Musical Societies for its recent sell-out show, Titanic The Musical, as well as for its NI premiere of Hello Dolly, Calamity Jane and Disney’s Beauty & The Beast.

The latest programme can be heard at the Queen’s Hall, Newtownards on 9 November at 8pm.

Tickets are priced at £10 (£8 concession) and are available from Ards Arts Centre.

Photo Credit: Rugger Hugger Ireland

The duo missed the 41-17 win over Castres at the weekend, but Ulster hope they will be fit for this Heineken Cup Pool 4 clash at Scotstoun.

Ferris is responding well to treatment on his back, while Williams – who picked up a rib injury – will also be given as much time as possible to prove his fitness.

Flyhalf Niall O’Connor is also included in the preliminary squad after an impressive performance for the Ulster Ravens on Saturday. Roger Wilson played 40 minutes against the Welsh outfit, but he will not be rushed back into action with the senior side

Elsewhere in the side, Robbie Diack and Declan Fitzpatrick have returned to training this week following injuries but will not be considered for this fixture.

Kick off is 8pm on Friday night.

Ulster v Glasgow Warriors, HC Round 2, Scotstoun Stadium:

Forwards (16): Rory Best, Rob Herring, Nigel Brady, Callum Black, John Afoa, Tom Court, Adam Macklin, Neil McComb, Dan Tuohy, Lewis Stevenson, Johann Muller, Iain Henderson, Stephen Ferris, Mike McComish, Chris Henry, Nick Williams

Backs (12): Paul Marshall, Ruan Pienaar, Niall O’Connor, Paddy Jackson, Luke Marshall, Paddy Wallace, Darren Cave, Craig Gilroy, Andrew Trimble, Tommy Bowe, Jared Payne

Photo Credit: Rugger Hugger Ireland

To win, simply head over to their Facebook Page and ‘Share’ the picture of the rugby ball to be in with a chance to win.

Winners will be announced at 4pm, so make you sure you check back to their page to see if your name is chosen.

Good luck!

In 2008, Taken came along and bombed uncontrollably at the box office. It never really found its calling until its D.V.D. release where it went on to find a cult following.

Photo Credit: Picselect

It didn’t seem like the kind of film that needed a sequel (perhaps a prequel showing Bryan’s skills when he first joined the C.I.A. might have been more exciting to watch.)

But thanks to its success on home video, a sequel was all but a given. And so here we are, four years after the first film, with a now even older Liam Neeson back kicking ass and not worrying about taking names.

What was so special about the first film (other than the immortal “I will find you” speech) was the idea of watching Liam Neeson beating up people half his age with such ease.

He was Jack Bauer and Jack Ryan rolled into one – whip smart but able to kill when needed.

After setting up a little unnecessary back-story (teaching his daughter to drive, she now has a boyfriend, his ex-wife is going through another separation) Bryan takes off to Istanbul for a quick protection gig and some easy money.

It just so happens that the families of the men he murdered in Taken are also in Istanbul to exact their revenge on Bryan and his family. When his daughter and ex-wife arrive, they seize their chance.

At this point you might be wondering if this is going to be a complete retread of the first film – surely his daughter doesn’t getting taken again right? Well this time, the twist is that Bryan himself is the one who is taken.

Normally with sequels of this genre, the aim is to go bigger. Unfortunately, with the awesomely named yet inept director Olivier Megaton at the helm, Bryan has no room to grow beyond what we already know.

This is Taken 2′s downfall. With all of his family in trouble the stakes should be higher, the tension unbearable. Yet there isn’t any tension to be found.

There’s never a doubt that Bryan will save the day and despite some nifty set pieces – one involving a map, a shoelace and a grenade is both ridiculous yet ingenious – you never really feel that him or his family are in any danger.

This is regrettably down to the poor script which doesn’t give Bryan room to show off any new skills or anything particularly special to make it stand out as a superior sequel.

The script also doesn’t allow for the bad guys to have any sort of a personality. They could all have been played by the same three stuntmen as none of them stand out as a particular threat.

Faceless and nameless goons with guns is the easiest way of describing them. (And why is there always at least one person who gets killed watching TV?)

It also feels like Taken 2 has been watered down to nab that all-important 12A certificate. A few neck breaks arrive with no snap and the bloody carnage of the first film is nowhere to be found.

The biggest thing that’s missing is a sense of fun. Despite a few amusing lines, “When you give a dog a bone, don’t try and take it from him” is about the closest he gets to his famous speech. So you can see where the script has let him down.

Most people will be content watching Liam Neeson in action again, but the quick cut action scenes make it difficult to work out who’s punching who and the 12A certificate means the relentless violence that you might be expecting is non-existent.

It’s a pity too because there most likely won’t be a third film to make amends because as Bryan (or is it Liam?) exclaims towards the end, “I’m too tired for all of this.” It’s probably for the best Liam.

Verdict: There are flashes of genius here and it’s always good watching Liam Neeson as an action hero (Expendables 3 maybe?). Unfortunately a weak script and some mundane direction means you might leave this wishing you’d been err, taken to something else.

Star Rating: 2/5

* Review by Stephen Connolly

Looper is one of those hidden gems that comes along every once in a while that surprises you in almost every way possible.

The best way to enjoy Looper is to watch it knowing as little as possible. Avoid all conversations on the topic until you’ve seen it at least once. I’ll keep the spoilers to a minimum.

You might think you know the story, whether you’ve seen the ads or not. But Looper subverts every genre it embraces with a subtlety to suggest that you haven’t seen anything like this before.

Every time you think you know where the film’s going, director Rian Johnson flips it on its head and takes it in a completely different direction.

This is the most refreshing thing about Looper. It is genuinely surprising to watch and to guess what might happen next.

As with all films involving time travel there is some head scratching to be done over a post film drink but much like The Terminator and Twelve Monkey’s before it, the time travel aspect is only there to set up the plot, not to service it.

Unlike say, The Time Machine, Looper isn’t worried so much about the paradoxes involved with time travel. It just so happens that time travel sets up this particular story.

It is invigorating to watch two characters discuss the machinations involved with time travel only for one of them to turn around and say that “this time travel stuff will fry your brain.”

It’s also a lovely but sly wink to the audience that the two characters in question just happen to be the same person.

It is in these characters that Looper has its greatest strength. Gordon-Levitt is slowly but surely making the leap to leading man status and this is further proof that he belongs front and centre.

He is barely noticeable underneath the prosthetic chin that makes him look like a young Bruce Willis and he adopts plenty of his older self’s mannerisms making their face to face conversations all the more strange/exciting to watch.

The film splits quite evenly into two parts. The first is set in a futuristic city; not dystopian, but just crime-ridden and dirty. This half sets up the plot and the pace doesn’t let up until almost an hour in.

The second half relocates the action to a farm belonging to Sara (Emily Blunt) and her son Cid (Pierce Gagnon). It is here that the pace slows for a while, setting up Sara and Cid’s side to the story.

Looper revels in its desire to reveal important plot points slowly and anyone expecting the fast-paced shoot-em up that the trailers seem to be advertising might be sorely disappointed here.

But anyone looking for a smart and stylish sci-fi need look no further. Looper is the best sci-fi since Inception rolled around two years ago and just like that film, the less you know, the more you’ll enjoy it.

Final Verdict: Destined for status as a cult classic, Looper will twist your mind until it hurts and then twist it some more. But with a fabulous cast, visually arresting action sequences and a top-notch time travel story, the first thing you’ll want to do upon seeing it is go back in time and see it all over again.

Star Rating: 5/5

* Review by Stephen Connolly

Releasing a film about American politics in an election year is something of a gamble. People might be sick of hearing the word “campaign” without wanting to see a film about one.

So how do you make people want to see it? Make it a comedy and throw in two of the hottest comedians around. That’s exactly what director Jay Roach has done and unfortunately, it’s more “runner-up” than “winner”.

US political campaigns are already low brow and dirty, funded by behind the scenes billionaires with their own agendas.

The Campaign tries very hard to make you aware that this is satire and not an attempt to reflect real life, despite the obvious comparisons to actual politicians.

Ferrell’s Brady is part Bush’s idiocy, part Clinton’s sleaze with a stereotypical American catchphrase of “Family, Jesus and Freedom” while behind the scenes power-players The Motch brothers are barely altered versions of millionaire brokers the Koch brothers.

Huggins on the other hand represents the rest of the world’s view on American politicians – weird and dumb. Even his catchphrase, “It’s a mess” feels like something any fool could come up with.

The draw here is undoubtedly the two main stars and while both are at times incredibly funny, you can’t help but feel you’ve seen them do the same thing before… only better.

Some of the biggest laughs come from Dermot Mulroney’s tough as nails campaign manager who shows up when you least expect and is just pure evil.

But other than this the support cast offer very little. Sure, there are a few laughs from Marty’s kids but his pet pugs get more laughs than most of the cast.

Dan Ackroyd, John Lithgow, Jason Sudekis and Brian Cox are all sorely underused given their screen time. Why bring in big names that can be very funny when required, and not use them? It’s just a waste of talent.

Most comedies require help from a supporting cast but Roach seems to think having Ferrell and Galifianakis is enough. Some audiences might feel the same but the lack of focus or consistency towards the end suggests they could have done with a little help.

It won’t be for everyone as your enjoyment will depend very much on your opinion of the players involved but even the biggest Ferrell and Galifianakis fan’s might feel they deserve just a little more.

Final Verdict: Running at just 85 minutes you would expect The Campaign to be a lean and hilarious comedy with an extremely high gag rate given the talent involved. Disappointingly, after a rather funny opening 45 minutes, the films tails off towards the end leaving you unwilling to care about who wins or how. To borrow a catchphrase… “It’s a mess.”

Star rating: 2/5

* Review by Stephen Connolly

Photo Credit: Rugger Hugger Ireland

The wider community in Ulster will have an opportunity to celebrate the life of Nevin, a much loved and popular member of the squad.

Hundreds have left tributes and messages of condolence for the Spence family at Ravenhill since Sunday morning.

A book of condolence is open at Ravenhill until the end of the week, for those who which to pay their respects. The ground is open from 9am to 5pm until Friday.

A book of condolence will also be open on Sunday for those wishing to leave expressions of sympathy.

On Sunday, the gates to the stadium will be open from 2pm, but no parking will be available inside the ground. Ulster Rugby have asked that those wishing to attend to be mindful of local residents and avoid parking in the immediate vicinity of the grounds.

Complimentary Park’n’Ride facilities are located at Pirrie Park on the Ravenhill side of the ground, and along Montgomery Road, on the Mount Merrion side.

I would like to extend my deepest sympathies to the Spence family at this time and I wish Emma a full and speedy recovery.

There are no words to adequately express or understand the events which unfolded over the weekend when Nevin, his father Noel and his brother Graham lost their lives in a farming accident.

Photo Credit: Rugger Hugger Ireland

The farming community in Hillsborough, the church community in Ballynahinch, local politicians, personalities from football, snooker, boxing, GAA in Northern Ireland, Ulster Rugby supporters home and away… all over the world, people have left messages of condolence for Mrs Spence and her two daughters – Emma and Laura – on the tragic loss of their family members.

On Sunday, a press conference was held at Ravenhill. Here, I joined local journalists as we united in our shock and grief at the events of the previous evening.

It was an emotional meeting as both Ulster Rugby CEO Shane Logan and Director of Rugby David Humphreys spoke openly and fondly of Nevin.

Shane Logan described Nevin as, “A model professional and a model individual. A man of absolute integrity, complete determination, great humility, a fine team player and an all-round exceptional individual.”

David Humphreys added to this, calling Nevin a dream player to work with.

“He was the epitome of what we were looking for. On days when nobody else wanted to come in and train, he was there leading from the front.

“All he wanted to do for the remainder of his career was to stay here, win trophies and be successful for Ulster. He brought his commitment, his passion and his enthusiasm every time he played,” he said.

On Tuesday morning, Ulster captain Johann Muller released an emotional statement on behalf of the Ulster team where he too described Nevin as “the kind of player that inspired others with his attitude in training and sheer will to win in matches.”

He added: “His positive outlook on life brought a smile to people’s faces. He was kind, polite, generous and courageous, and we were blessed to have him in our team.”

Photo Credit: Rugger Hugger Ireland

Since Saturday evening, Twitter has been inundated with messages of shock, sadness and tributes for Graham, Noel and in particular Nevin. From fellow sportsmen and sporting organisations, to supporters and friends, hundreds of tributes have been left for the 22-year-old Ulster Rugby player.

Outside of Ulster, the world has paid its respects. From Cian Healy, Brian O’Driscoll and Jerry Flannery, to Dan Carter, Jerome Kaino and Shane Williams. The world of rugby has united in their grief for a young talent lost far too soon.

This afternoon I went to Ravenhill to pay my respects to my friend and his family. Having regularly attended the ground for years, today it was different.

It wasn’t a place for rugby, it was a place for remembrance.

The grounds were in complete silence. A few people studied the tributes closely, pointing out ones here and there. Others stood back and just observed. It was emotional, but there was also a sense of peace amidst the silence.

Photo Credit: Rugger Hugger Ireland

As a rugby player, I remember Nevin as he turned out for his first Schools’ Cup game at Wallace. We all knew we were witnessing something special as we watched him from the centres. He scored a hat trick of tries in the quarter final against BRA helping the first XV make their way to the 2007 Schools’ Cup final at Ravenhill.

I watched Nevin playing all those times for Ulster. In particular his now-famous ‘somersault try’ in Ulster’s Heineken Cup win over Bath in 2010 as well as his outstanding performance against England and Leicester Tigers’ centre Manu Tuilagi which will remain with me.

I remember his performances for the Wolfhounds and how at such a young age, he said he had achieved another one of his dreams.

As a Christian, Nevin’s strong devotion to his faith is an example for me to follow. He was always willing to listen and talk to those who had questions, he was also always ready to stand up for his beliefs without forcing them onto anyone.

As a friend I will cherish the memories I have of Friday mornings at school. No classes, just social time, when Nevin would sit and share his customary ‘Joke of the Week’ with anyone nearby who was willing to listen… because as Nevin once said, “They’re so bad, they’re good!”

Some of Nevin’s jokes included:

“I wanted to be a rock climber when I was a kid. I was a lot boulder back then.”

“What do you call cheese that doesn’t belong to you? Nacho cheese.”

And my personal favourite…

“Two antennas met on a roof, fell in love and got married. The ceremony wasn’t much, but the reception was excellent.”

Speaking to Nevin last week he smiled saying he couldn’t wait to get back to playing again and then as usual gave me encouragement on my own career. I’ll remember with fondness how – when he saw my logo – he laughed, saying it was ‘brilliant’ before he tried to recreate the pose himself – something equally as brilliant.

As Johann said this morning, “In the coming weeks, the Ulster Rugby team will return to the pitch. Over the course of the rest of this year and in future seasons we will experience wins and we will no doubt suffer defeats. Players will move on or retire and new players will come in and represent the Province. But going forward, at Ulster Rugby, one thing will never change. As long as this great club exists, the person and the player, Nevin Spence, will never be forgotten.”

Shine brightly over Ravenhill, my friend.

Noel, Graham and Nevin,

Till we meet again.

Photo Credit: Rugger Hugger Ireland

Speaking at Ravenhill this afternoon, CEO Shane Logan said he was “deeply saddened by this news. Nevin was a wonderful player but also a wonderful person. He was well liked by everyone who knew him and his loss will be deeply felt by his teammates and everyone at Ulster Rugby.”

“I would like to express our profound condolences to the family. This is an absolutely terrible time for the Spence family and our prayers and best wishes are with them all.”

Mr Logan also paid an emotional tribute to the 22-year-old centre, calling him an “exceptional young man”.

He described Nevin as a man with “an immense future in front of him, and we know that because in his 22 years, he was a model individual and a model professional. A man of absolute integrity, complete determination, great humility, a fine team player and an all-round exceptional individual.”

Director of Professional Rugby at Ulster, David Humphreys, said everyone at the club was “devastated” by the news and their thoughts were with the Spence family.

He said Nevin was a “dream player” to work with and whenever he was asked about his future plans, Humphreys admitted the young man’s answer was simple.

“He was born in Ulster, he came through school in Ulster. He played rugby for Ulster and all he wanted to do for the remainder of his career was to stay here, win trophies and be successful with Ulster.

“Unfortunately with the events of the last 24 hours it’s never going to come to that point,” said David Humphreys.

Nevin was a rising star for Ulster. Photo Credit: Rugger Hugger Ireland.

“Talking to some of the players over the last 24 hours, Nevin will be missed because on days when nobody else wanted to come and train, he was there, leading from the front. He brought his commitment his passion his enthusiasm every time he played.

“Nevin will leave a huge hole in our professional squad and as we move forward over the next decade, I have no doubt that Ulster Rugby will be a poorer place without him,” he concluded.

Nevin Spence entered the Ulster Rugby Academy in 2008, following a successful Schools’ Cup journey with The Wallace High School, Lisburn.

When his time at the Academy finished, David Humphreys said he and Gary Longwell discussed the future of Ulster as a squad and both believed Nevin would go on to play for Ireland.

After being awarded a full-time contract with the club, Nevin went from strength to strength and his consistently impressive performances earned him a call up to the Irish Wolfhounds squad in February 2011.

Later that year, he was named Young Player of the Year at the Irish Rugby Football Union Players’ Association Awards.

His last game was on Friday afternoon when he played for Ulster Ravens against Munster A. He had 42 caps for his province.

Supporters began leaving tributes at Ravenhill early on Sunday. Photo Credit: Rugger Hugger Ireland.

A book of condolence will be opened for Nevin at Ravenhill Rugby Grounds on Monday 17 September, from 10am.

The offices and grounds will remain open from 9am to 5pm every day this week for those wishing to leave expressions of sympathy.

Our thoughts and deepest sympathies go out to the entire Spence family and friends, as well as Nevin’s teammates and all at Ulster Rugby.

Photo Credit: Picselect

There have been some unnecessary remakes over the last decade. There is always the chance that a remake will stick too closely to the original and therefore defeat the purpose of a remake, which is to freshen up the original story.

There was a lot of online hate towards remaking a classic like Paul Verhoeven’s original. No trip to Mars? What kind of a remake was this going to be.

Well it’s certainly different but not necessarily in a good way.

The set up is still the same. Doug (Colin Farrell) heads to Rekall to help paper over the cracks that he’s been having bad dreams.

Whilst there it turns out that his dream life as a spy may not be a dream, but a previous memory.

It’s difficult not to compare this to the original and even though that film was ultra-violent and darkly funny thanks to Arnie’s comic quips it had its own identity.

Photo Credit: Picselect

Recall 2012, despite being a remake, borrows from tons of other films. There are synthetic robots reminiscent of I, Robot, hover cars straight out of Minority Report and even Quaid himself is very Bourne-like in his quest to find his memory.

Where the original left it ambiguous as to whether any of what Quaid goes through is real or fake, here it is just a straight forward action flick, jumping from one set piece to the next.

The set pieces can be exciting and are both visually kinetic and frantically paced, but again you can’t help but remember other films doing it better.

The rooftop chase has Bourne Ultimatum written all over it, the hover car chase is again lifted from Minority Report and the film constantly struggles to achieve any distinctiveness of its own.

Every time the plot device of Quaid’s memory is brought it up it leaves gaping plot holes as well as confuses the audience. While the original never made anything clear, that was how it was supposed to be. Here it’s muddled so much that it’s hard to tell what the director’s intention was.

For a sci-fi film, plot is everything. Here, it’s just not up to scratch despite having a fantastic source novel in Philip K. Dick’s We Can Remember It For You Wholesale.

Kudos, however, to the scriptwriting team for introducing some new ideas rather stealing everything from the original. There are some interesting technological advances and the idea of “The Fall”, a lift which travels from Britain to Australia through the Earth’s core, is interesting until the point that a fight takes place on top of it whilst it’s travelling at roughly 30,000 miles an hour.

The distinct, dystopian cities, clearly influenced by Blade Runner, are also a wonder to look at. Each is a Rubik’s cube of tower blocks which are beautifully realised but do nothing but add gloss to an empty shell.

There are a few nods to the original but some of them don’t even make sense. The three breasted hooker shows up for her obligatory cameo, despite there being no mutants in this film.

Plot may be everything in a sci-fi film but common sense is also required.

Final Verdict: While it’s not the travesty that many were expecting, when you find yourself questioning the lack of depth in a remake of a Schwarzenegger film, you know something’s not right. Unlike the original classic, it won’t live long in the memory.

Star Rating: 2/5

* Review by Stephen Connolly

Photo Credit: CMPR

Boasting an Italian restaurant, pizzeria, tapas bar and music lounge all in one, CIPRIANI provides Belfast with a true taste of Italy.

The modern eatery is made all the more contemporary by its luxury surroundings spread over three floors.

Downstairs, guests can dine in the restaurant and make the most of a large array of traditional Italian homemade dishes, paired with a choice of wine from CIPRIANI’s specially selected wine list.

Or, if tapas is your preference, make sure you head upstairs to the dedicated Tapas Bar and try out the ‘Spuntini’; a tasty Italian twist on tapas which is available.

Photo Credit: CMPR

The decadent Music Lounge is also situated upstairs, and provides the perfect opportunity to sit back, relax and enjoy a selection of cocktails. If that wasn’t enough CIPRIANI brings its very own entertainment to the Music Lounge every weekend.

Salvo Liberante, is the proud proprietor of CIPRIANI and is no stranger to the Northern Ireland restaurant scene with an impressive portfolio of successful venues including the highly popular Speranza and the former much-loved Café Milano.

Speaking about his newest venture, he said: “At CIPRIANI we have reflected our passion for Italian culinary fayre in a menu brimming with great quality dishes, expertly executed and perfectly presented in stylish surroundings. We offer honest, home-from-home Italian cuisine at its best and look forward to putting Italy on South Belfast’s map.”

Check out the selection of photos below (courtesy of CMPR and CIPRIANI) to see what you’re missing out on!

Photo Credit: CMPR

Photo Credit: CMPR

Photo Credit: CMPR

Photo Credit: CMPR

The Watch feels awfully familiar. The blending of sci-fi and comedy has been done before to great effect; Ghostbusters, Men in Black, Gremlins.

Photo Credit: Picselect

But is there anything new that can be brought to the table? Well on this basis, the only thing that’s been missing is a few penis jokes.

The Watch started life as a family-friendly alien invasion film until Superbad writers Evan Goldberg and Seth Rogen came on board.

They turned the script into a foul mouthed male bonding film with penis gags and toilet humour. Think The Hangover but with aliens.

Feeling very reminiscent of Joe Cornish’s Attack the Block (in that film a group of teenagers protect their homes from an invasion), The Watch feels like a film put together from the scenes left over from other alien films.

The script, while heavy on the jokes, doesn’t exactly flow seamlessly. An attempt to give Evan marital issues doesn’t sit well with the rest of the film, nor does a subplot involving Vince Vaughn’s teenage daughter.

The direction is also rather flat. Akiva Schaeffer has proved with the under-rated Hot Rod that he can handle wacky visuals but here he does nothing to spice up the film beyond what it already is.

At times it feels like he has left the camera and gone for lunch as it barely moves. Considering this is the man behind The Lonely Island’s music videos you would expect more.

Your enjoyment of The Watch will very much depend on your interest in the actors involved.

While each of them stick very closely to what they are best known for, it’s hard to deny that their chemistry provides plenty of laughs throughout the film, saving it from the lesson in dullness it could have been.

Stiller plays his usual “nice-guy drawn into saving the day” schtick, Vaughn is a motor-mouth (again) over protective father and Jonah Hill is, well, he’s Jonah Hill.

Fresh from an Oscar Nomination for Moneyball (hard to believe right?) his Franklin is a psychotic nitwit who feels like many of his other characters, particularly so soon after 21 Jump Street.

The scene-stealer here is the I.T. Crowd’s Richard Ayoade who gets most of the big laughs by being weird and British.

While being a fan of most of the cast helped, The Watch can provide a few laughs if you’re willing to relax your brain and just go with it.

It’s easy to sit and pick apart plot holes or script issues, but when it comes down to it, the talent involved lift the shambles of a script to a better class.

You feel that a lot of the jokes may have been re-written on the spot, mostly by the actors themselves.

Hill and Vaughn have some hilarious exchanges which feels more like the actors talking and less like the characters. Therefore we can rest the blame on the script and not the actors.

If you’re looking for a smart alien invasion film with a few laughs then check out last years Attack the Block.

But if you’re interested in switching your brain off for 100 minutes to enjoy a loud, dumb and at times side splittingly funny attempt at an alien invasion film, then look no further.

Final Verdict: The script is a mess and it could have done more with the alien invasion idea but thankfully the actors manage to wrangle enough jokes out of it to make it worthwhile. Don’t think about it too much and just…watch.

Star Rating: 3/5

* Review by Stephen Connolly

The Expendables arrived in 2010 with plenty of hype about its old school action stars and old school action but for most people it emptied its gun with a blank rather than a bang.

Now, two years later, the boys are back in town and this time you get plenty of bang for your buck.

Photo Credit: Image.net

Stallone has stepped back from directing duties with Con Air’s Simon West taking over, a few new faces have been added to the team, and with Bruce and Arnie beefing up their roles, we finally get the film The Expendables should have been.

The script isn’t what you would expect from a big name, 100 million dollar blockbuster. But that’s the idea. This is basically a direct to DVD film with a bigger budget.

It’s crammed with cheesy one liners and in-jokes from other films (Arnie and Bruce get most of these in all honesty) and even a few jokes thrown in the direction of Dolph Lundgren’s real life. But everyone is in on the joke and that’s what makes The Expendables 2 so much fun.

Right from the off you can tell this is going to be bigger than the previous instalment with the opening sequence being roughly twice the size of the first films ending as the crew lay waste to what feels like hundreds of soldiers.

With many of the stunts being done for real it’s easy to spot the very few CGI-induced moments but they don’t detract from the viewing as the action is shot with a wide lens so you don’t miss any of the action, which there is plenty of.

The final battle which takes place in an airport is one of the better set pieces of any action films in recent years and Sly’s mano et mano with Van Damme is reminiscent of Vin Diesel and The Rock’s brutal fight in Fast Five.

Statham gets to throw his knives dressed as a priest (“I now pronounce you man and knife”) and his final battle with the surprisingly bad-ass Scott Adkins is hardcore albeit shorter than it should have been.

Now let’s get to the cast. Sly does his usual thing as the tough but sensitive leader, bonding with his new protégé Billy the Kid (Liam Hemsworth) and Jason Statham is great in his usual role as Jason Statham.

Dolph Lundgren almost steals the show as the comic relief while Terry Crews and Randy Couture do their best with what they’re given, much like the first film. The biggest gripe for me was the early exit of Jet Li (“gives new meaning to Chinese Takeaway”).

The standouts though are the old stalwarts. While Bruce and Arnie do what they do best in what are basically extended cameos, it is great to see them along with Stallone standing side by side blasting through everything in front of them.

Jean-Claude Van Damme almost steals the film, hamming it up as the gloriously named Jean Vilain, even bringing in some of his signature moves in the final fight with Stallone.

The best part though is CHUCK NORRIS. He doesn’t get much screen time, yet still manages to kill more people than the rest of the cast. Using a Chuck Norris fact as a line of dialogue is a genius move and slyly acknowledges his internet fame whilst providing one of the biggest laughs in the film.

If you are an action junkie then you’ll get your fix with The Expendables 2, which amps up everything to eleven and delivers in almost every department.

Final Verdict: Your enjoyment of The Expendables films will ultimately depend on whether you are a fan of the actors involved and their back catalogue (even the bad ones). But you can’t deny the sheer giddy nostalgia that this film provides for anyone who is a fan and proves once and for all that none of these guys are expendable.

Star Rating: 4/5

* Review by Stephen Connolly

Since then, he has played club rugby for Belfast Harlequins as well as a number of games for the Ulster Ravens. In December 2011 – Boxing Day to be precise – Michael was awarded his first senior cap for the side as he turned out against Leinster at the RDS.

After a series of consistently strong performances, the 21-year-old centre was given a development contract with Ulster for the 2012/13 season and he is now hoping to use this opportunity to impress head coach, Mark Anscombe.

Michael Allen (centre). Photo Credit: Rugger Hugger Ireland

Ulster are currently making final preparations for their pre-season friendly against Leicester Tigers this weekend (Saturday 18) at Ravenhill. The last time the Aviva Premiership side travelled to Belfast, it was for their Heineken Cup clash in January, and an occasion which saw them fall to a heavy 41-7 defeat at the hands of the Ulstermen.

The victory was just one along the way for Ulster as they ultimately made their way to the European Cup final at Twickenham in May.

Now, the province are looking to use last seasons’ success as a springboard for the season to come.

“From our final game in May, we had four weeks off,” Allen explains. “I was able to travel to New York and Donegal for a couple of weeks before I was back into training. I’ve now been in full training for the last seven weeks and it’s flown in.”

During these pre-season weeks, players are usually heard saying it is seven or eight of the most difficult weeks in their rugby career, and something Michael can agree with.

“We didn’t do the sand dunes this year, or the hills at Barnett’s (Demense), and those two sessions are probably the worst. I’ve never had to face the dunes, but I have been to a session at Barnett’s and that was a breaking point. It’s probably the worst thing I’ve ever had to do,” he finishes, laughing.

With most of pre-season behind him, the centre is now looking forward to making an impact on the field, in front of the supporters, starting with a big performance against the Tigers.

“I can’t wait for the season to kick off, even for our pre-season games. I just want to get on the pitch and start playing. I’m looking forward to the season, hopefully play well and show the coaches what I’ve got.”

Nevertheless, Mark is not underestimating the challenge before him as he competes for a very competitive spot in the Ulster side.

“We have a very talented squad now, a lot of whom are world class. For a player like myself, who grew up watching someone like Tommy Bowe play for Ulster, and now I’m training alongside him every day as his team mate; it’s crazy when I think about it.

“The more experienced players of the squad are great with us (the younger members of the team) as they’re always there with advice if we need it and how we can improve our game.

“To play alongside the likes of Bowe, Ruan Pienaar, Johann… it gives me a boost to work as hard as I can and hopefully get further opportunities to play.”

Allen during a training session at Ravenhill. Photo Credit: Rugger Hugger Ireland

One of Michael’s aims for the upcoming season is to add to his one senior cap, and ideally, this is something he would like to do in front of the home crowd.

“Ravenhill is a fantastic place to play and the atmosphere created by the supporters on a match night is incredible. I’m looking forward to being able to step out in a white shirt at Ravenhill under the Friday night lights.”

Last Christmas, Allen stepped out in a white shirt to win his first senior cap – and the young player admits it was a huge game to start.

“When I first saw the teams, I realised I would be playing against Gordon D’Arcy and Fergus McFadden. It did give me butterflies as soon as I saw their names for the Leinster side, but it was a great experience and something I would love to be involved with every week for the next ten years.”

Michael had been involved with the Ulster set up for the last couple of years, but his passion for rugby started back at school. Attending Methodist College in Belfast, the 21-year-old not only completed his studies, but reached the pinnacle of a schools’ rugby career by having not one, but two Schools’ Cup victories to his name.

He admitted he will never forget the emotion and the feeling he experienced upon winning the coveted Cup, but for now, his sights are on silverware of another kind.

“Reaching the Heineken Cup final last season gave Ulster a massive boost. Even though the result didn’t go our way, we know we have what it takes to be there and to win. We’re looking to build on the success of last season and are striving hard towards our goals.”

He added that he watched his old school mates Paddy Jackson and Craig Gilroy at last year’s final at Twickenham and hopes he can share future successes with them.

“I watched the two of them play (at Twickenham). They’ve both worked incredibly hard to get where they are and they deserve it. For me, I want to be at that level and playing alongside them.

“I want the team to do well and go all the way to the final again. I want to be there as a player as well; whether it’s in the RaboDirect of the Heineken Cup, we’re looking for silverware this year.”

At just 21 years of age, Michael Allen is incredibly positive and dedicated to his sport, something which came across naturally during our interview. So, when asked if he was now living his dream, I wasn’t surprised to see him grin before answering: “I am. I’m living the dream – and loving it!”

If the above summary sounds familiar then it comes to reason that you have seen the previous Step Up movies.

For this third sequel in the popular dance franchise sticks very closely to the template set down six years ago when the first film projected dance films into the mainstream.

All plausibility goes out the window within the first ten minutes when a dance crew stops traffic to dance on the roof of the cars while everyone cheers them on.

It is here we meet Sean and his crew who partake in flash mobs to win $10million from YouTube by being the first to get 10 million views on their videos.

The flash mob idea is an interesting change from the previous crew versus crew plots but it’s about four years past its sell by date as the popularity of flash mobs was over in…well… a flash.

Unfortunately for the Step Up franchise it is a victim of its own success. Most of the dancing on show here we have seen before in the previous entries and despite some intriguing and inventive set pieces (an art gallery sequence is a stand out) the dancing just feels a little stale.

The less said about the acting the better as it is clear the cast were hired for their dancing abilities and not their acting.

The plot is straightforward and lifts from the previous entries in more ways than one. Emily (Kathryn McCormick) looks like a mix between Andie from part 2 and Natalie from part 3 and Sean is a poor man’s Channing Tatum who looks like Chase from part 2. Like I said, they stick very close to the template.

Emily and Sean become involved and inspire one another until Emily’s dad (The OC’s Peter Gallagher) threatens to develop new property on the area where Sean lives. It is here that their “performance art becomes protest art” as one character so eloquently puts it.

It’s not difficult to imagine where it’s heading and it all wraps up a little too neatly at the end but as I said, plausibility doesn’t hang around for long.

But for what it’s worth, if you can get past the cheesy dialogue and predictable plot, the dance sequences will keep you entertained enough to see past its flaws.

Final Verdict: If you enjoyed the previous entries and don’t mind some hammy acting then chances are you’ll enjoy this instalment of the popular dance series. If it wants to continue beyond part 4 though, the next director needs to step his game up.

Star Rating: 2.5/5

* Review by Stephen Connolly

The side will face Bayonne at the Parc des Jean Dauger this evening with a 7pm kick-off time.

Photo Credit: Rugger Hugger Ireland

In his first match in charge, Anscombe has selected a team with a mix of youth and experience, and gives the coach a chance to look at some interesting combinations.

The fixture will see Australian-born open side flanker, and new signing, Sean Doyle make his debut for Ulster in the back row. He is joined by Robbie Diack and Mike McComish.

Ulster favouite, Johann Muller, will captain the team and is partnered at lock by Neil McComb.

Up front, Callum Black and youngsters Niall Annett and Adam Macklin have been given the nod to start. This is the first time the players will be starting a game together.

The half-back combination for the friendly sees former Methodist College classmates Blane McIlroy and Patrick Jackson partnering up, while Academy player Chris Farrell will play alongside Jared Payne in midfield. Payne is starting the game at outside centre, in what is his first outing since injuring his Achilles against Cardiff last September.

Lastly, Chris Cochrane, Craig Gilroy and Peter Nelson will be providing plenty of attacking intent from the back three.

Thursday’s match is part of a four day training camp, preceding Ulster’s two home friendlies against Leicester (18th August) and Newcastle Falcons (24th August).

Ulster Team:

15-9: Peter Nelson, Craig Gilroy, Jared Payne, Chris Farrell, Chris Cochrane, Paddy Jackson, Blane McIlroy

1-8: Callum Black, Niall Annett, Adam Macklin, Johann Muller (C), Neil McComb, Mike McComish, Sean Doyle, Robbie Diack

Replacements: Rob Herring, Ricky Lutton, John Afoa, Lewis Stevenson, Ali Birch, Michael Heaney, Niall O’Connor, Luke Marshall, Michael Allen, Ricky Andrew

Photo Credit: John Dickson

The home jersey will once again be predominantly white, but the new design includes red panels on the shoulders with black piping down the sides. The jersey is accompanied by matching white and red shorts and socks.

Bank of Ireland is once again the main jersey sponsor, while the Belfast Telegraph is also continuing with their sponsorship of the shirt. On the shirt sleeves, new partner BT have come on board as the Official Communications Partner.

Ultimately however, it is the away jersey which is sure to be the talking point among supporters. The black jersey will give supporters a completely different look to the past, providing a new dimension for the kit, with dark grey stripes across the front of the shirt. There is also bright yellow piping on the sides and sleeves of the jersey and is complemented by black shorts and socks.

Speaking ahead of the kit launch, which takes place at Ravenhill tonight, General Manager of Kukri Ireland, Terry Jackson, said: “We’ve worked very hard with Ulster Rugby to develop the merchandise range for the 2012-13 season, and we couldn’t be happier with the result – we think the new kit looks fantastic and we hope the players and fans are as proud of it as we are.”

What are your thoughts on the new kit? We’d love to hear from you!

Photo Credit: Rugger Hugger Ireland

The game takes place on Saturday 11 August at Sandy Park and it will be the first game for the side after an intensive eight-week training regime during the off-season.

The following week sees the return of Connacht’s Heineken Cup opponents, Harlequins, for another friendly game before the season gets underway in earnest on September 1st when the province welcomes the Cardiff Blues to the Sportsground.

Meanwhile, RaboDirect has confirmed the times and dates for Connacht’s first set of matches.

Following the Cardiff clash, the side have a six-day turnaround before taking on newcomers Zebre, in Parma, Italy; while the Llanelli Scarlets soon follow on the fixture list when they visit the Sportsground on Saturday 14 September (kick off 3pm).

Photo Credit: Rugger Hugger Ireland

65 of the 78 scheduled games will be broadcast free to air in local territories across seven broadcast partners, including BBC Northern Ireland, RTÉ and TG4.

Television coverage begins on Friday 31 August with  two games to kick off the new season.

Current champions Ospreys travel to Italy to face Benetton Treviso and the fixture will be the first live game for new broadcaster SportItalia, whilst BBC Northern Ireland welcome back their live coverage of the tournament as Ulster return to Ravenhill to face the Glasgow Warriors.

Coverage from the first weekend continues on Saturday 1 September with S4C showing the Scarlets first game against last year’s finalists Leinster, while BBC ALBA will be screening the Edinburgh v Munster game.

For the Irish provinces, Ulster kick off this year’s tournament with a home game to Castres Olympique on Friday 12 October.

Photo Credit: Rugger Hugger Ireland

It will be a tough test for the home side who travel to Glasgow the following week (Friday 19 October) where they will play in the hosts’ new Scotstoun Stadium.

December is the next outing for the Heineken Cup finalists where they have a mouth-watering double header against Premiership side Northampton.

The last time the two sides met was the 2011 Quarter Final, where the Saints emerged with a 23 – 13 victory.

The first of the double header will be held at Franklin’s Gardens on Friday 7 December, with the corresponding fixture at Ravenhill the following week on Saturday 15 December at 6pm.

Dates and times for the final two pool games in January are still to be confirmed, but Ulster will face off against Glasgow at home, before travelling away to Castres.

Elsewhere, current European Champions Leinster will be hoping for an historic three Heineken Cup titles in a row this season and they kick off their campaign with a home game against newcomers Exeter Chiefs.

The clash will be held at the RDS, Dublin on Saturday 13 October.

Having been drawn in Pool 5 this year, the Dublin-based side will then travel to Llanelli to play the Scarlets the following Saturday (20 October) before facing ASM Clermont Auvergne in back-to-back clashes in December.

The Round 4 clash will be held in the Aviva Stadium, whilst the dates and kick off times for the final two Pool rounds will be confirmed following the completion of the Round 4 game.

Munster will be hoping to improve on last season’s performance as they begin their European journey with an away game to Racing Metro 92 at the Stade de France on Saturday 13 October.

A week later will see the side take on last year’s Heineken semi-finalists Edinburgh at Thomond Park.

Saracens provide the double-header for the province in the pool, with back-to-back December clashes against Saracens.

The venue for the away game in London is still to be decided for Sunday 16 December.

Lastly, Connacht will be enjoying their second successive season in the Heineken Cup with a set of dream fixtures.

Italian newcomers Zebre welcome the western side to Parma in their first pool match on Saturday 13 October.

The following week – Saturday 20 October – will see English side Harlequins returning to the Sportsground where the 2011/12 Aviva Premiership Champions will be out for revenge after being knocked out of the competition by Connacht last year.

Biarritz provide the back-to-back clashes for the team, with the French side visiting the province for the first time on Friday 7 December, with Connacht returning the fixture on Friday 14 December at the 13,400 capacity Stade Aguiléra.

The final two pool matches, scheduled for mid-January, have yet to be finalised but include an away game to the Stoop and a home clash with Zebre.

Photo Credit: Rugger Hugger Ireland

The event is free to attend and is open to all supporters of Ulster Rugby.

The Open Day begins at 2.30pm with an open training session.

From 3.30pm to 4.30pm, the Community Rugby team will then host a coaching and skills area for supporters’ participation.

A BBQ and Food Village will also be available all afternoon, with various other activities and entertainment available for children.

Tickets for the Open Day are available to purchase via the Ulster Rugby website, or by calling 028 90 493222.

The event will finish at 5.30pm.